taking care of the place

the river path

the river path
Written by Cathoel Jorss,

I ate my muesli on the river path and watched red insects furred with a fringe of legs investigating the slowly-rotting wood. The boatshed is held up by two felled but still rooted trees. The motorway roars a few hundred metres south, it carries a siren past. I saw a speedboat race upstream and then, twenty minutes later, return, in silence, with its engine cut: they were travelling sideways, simply letting the water bring them. As I watched, the man took his eyes off his wife’s hand on the tiller and folding his arms like a well-cared-for corpse he lay back full length in the bottom of the boat. The peace of people’s secret ambitions. After a long winter of empty skies the trees are full of song. Overnight I was reading Jonathan Franzen’s heartfelt but wry essays about the murder of migrating birds. I honour him. There should be many many more ducks and birds on this river, my friends say, at this time of year. What we have made very little resembles what I know of life. Sitting in a mossy hollow feeling a speckle of sun on my shoulders I realize I have taken refuge in the countryside and may never go back. Spend the rest of my life foraging round them and dwelling in the treetops like an airborne burrow: a nest ~ I imagine visiting cities like a honeybee to carry the gold dust away on my very many legs, darting in and droning away again, making a child’s drawing of a flower.

2 comments on “the river path

  1. Vera says:

    Finally, Cathoel! I’m so glad you’re posting on your blog again. I don’t know what it is, but I’m much more inclined to read your posts here than on FB (although FB did take me here, this time.) House of Lovers seems a more appropriate, homely place for your beautiful prose poems. You seem to be travelling quite a bit & your observations about the places you’ve been are consistently acute and poetic. I have just returned from 3+ months in East Gippsland and I know what it is to take refuge in the countryside. I would go back, but… but I’m seeing if there’s any gold dust to be had in Melbourne. Lots of love to you, Vera x
    Please tell me which Franzen essay/s you were reading. I’ve read The Discomfort Zone & How to be Alone. ‘My Bird Problem’, the last piece in the former book, is excellent.

    • cathoel jorss says:

      Thank you, Vera, I’m so glad you like this format. More space for pictures, for one thing. It’s really good to hear from you again & I love your kind words about this writing. Looking forward to more of your poetry as well.

      Gippsland sounds like a salty dream from this distance. The stony heart of Europe. The Jonathan Franzen collection I have with me is Farther Away, found it in a library in Copenhagen and have chased it down via an English-language bookstore; the particular essays I think you’d love on this topic are The Chinese Puffin, and The Ugly Mediterranean. The Chinese Puffin, which begins with his affection for a puffin-shaped plush golf-club cover and leads to a tour of the factory that made it and bleak bird-watching sessions with beleaguered local ecologists, is particularly horrifying. We’re all indicted.

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