the black hamburger of weddingworld

On the bus coming home from our forest walk we passed a billboard for Hochzeitswelt: Wedding World. My partner says it’s a giant sales emporium but I am convinced it is some kind of fun park. At the market hall we got out and walked. I was noticing the graffiti – hereabouts is my own minute but weirdly lasting contribution to Berlin’s conversation, in chalk, a grammatical correction: I added an apostrophe two years ago to someone’s vehement caps-lock scrawl WONT DIE IN SILENCE. On a windowsill stood a half-eaten hamburger, which at first glance seemed to have molded over. I started think of the experiments people do with processed food where you stand a burger under a glass shade and months later it has not rotted. I remembered the droll jazz lover I befriended in an Ethiopian jazz cafe in Melbourne who rather lucidly summarized this result: If microbes won’t eat it – neither should you. Whilst putting all this together in my mind I realized there was something strange about this burger’s black mold. It was paint. Trailing up the pebblecrete wall to the sill was a long swab of black spray paint, part of the grafitti. A man in his sixties, splendidly dressed in a mohair overcoat and Russian fur hat, stopped to see what we were looking at. I showed him. He rocked back on his heels to laugh. As we came round the next corner my partner, formerly a product designer, said, looking up at a sign he had made for a local late-night kiosk, “Really I think I did a good job on that one. It’s so eye-plopping.” “It is,” I said, with difficulty, “really it is eye-plopping.”