taking care of the place
music unfolds in the Funkhaus, live and barely planned
Today we will be making a new song, the first towards Cathoel & the New Government’s eventual second album. First album prompted 50s jazz impresario Bob ‘King’ Crawford to say, “In my opinion you will be one of the greatest artists this country has produced.”
He was talking about Australia but I have gathered fellow travellers from New York, Czech Republic, and Berlin. There’s eight of us today and only two have ever met. This is the persistent idea of ‘the new government’ – it is elastic and can consist of anybody who wishes to step up and take care of something they feel moved by. Something musical, something ecological; something furred or feathered, something human. It’s how plenty of people live in the world already. We’ll be recording in the famous Berlin Funkhaus and hope to produce a tiny doco about our day’s work, which will be improvised from scratch around a vocal line of mine. The lyrics were written on a drum kit in an Airbnb apartment in Spain:
you came a-courting me
in your skirt
and no shirt
and no shoes
and I swallowed down all that you taught me
in my bed
in your arms
in my youth
Imagine a bunch of people with jazz sensibilities set out to make an electronica dance track, but using all real instruments and playing the whole melee live, not looped or sampled. Imagine it might build into the kind of trance intensity that explodes. This is my plan, insofar as you can call it a plan. I have only met one of these musicians before now, when he walked into a Berlin bar three years ago carrying a beautiful upright bass and proceeded to set up an irresistible stomp. I’m recruiting interested musicians online through musos’ groups. Song has no title as yet but we will see what evolves.
Sending you energies to progress the project. It will be extraordinary.
It was stressful but so exciting, Brendan! Seven musicians who had never met each dug themselves out of bed at seven in the morning and took the train, then the bus, then the tram, to this forest-edge lakeside precinct. It stands amid a grove of clinker-brick buildings. The tunnels of hallways are dusty and dim. Then you go into this sumptuous studio unchanged since the 1950s, which has old hand painted exhortations in Russian on the walls. It felt eerie and freeing. We stomped and rattled and made up our noise. I hope we have made something truthful and good. I am glad of your joyous energy.