street life

reggae punk

reggae punk
Written by Cathoel Jorss,

Night walk in the late afternoon. There is a large punk stationed outside the supermarket, asking for coins as people emerge from the light within; he is tall, broad, and mighty, wearing a lycra miniskirt and dark stockings, his hands pouched in the pockets of a worn khaki windbreaker. He has as they say in German few “hairs”, but they are scraped from all corners of his scalp into a wispy but somehow fierce high ponytail.

There are three Polish tourists who ask us where they can find some reggae. My partner remarks afterwards that the combination of “reggae” with the German, Reggaeveranstaltung, “sounds like the death of paradise”. There is a windblown American stationed at the autotellers who speaks slushy, gentle German and is homeless, or on the skids; his calling is to sweep open the doors of the bank’s glass vestibule with a big smile and a grave, deep, “Well, good evening.” He has his dog with him and a large coffee tin into which people sometimes cast coins. He’s always cheerful.

There is a demonstration outside the refugee centre which necessitates the whole street being blocked off by police. Around ninety or a hundred people stand about looking, mostly, like spectators who have wandered in on their way home, around a central tableau in which a huge white banner spread on the street is flecked with flowers and lined with flickering golden tealight candles. Two activists in baggy coats pull a blanket and then several cushions out of a large plastic bag and begin setting up a vantage point beside this shrine, on the kerb.

A photographer is prowling the sparse crowd, attentive but bored. The police all seem like giants in their militant uniforms. They are laughing and chatting. Loud music from a boombox strapped to the top of a van is interrupted by a speech in German-accented English. What enchants me is the two busloads of surplus police officers, waiting in their seats out of the cold, just in case. Their green and white striped minibuses stand parked diagonally across the entrance to the roadway, as an obstacle. At the other end of the barricaded demonstration area five police officers stop us when we would pass: they are jovial and unbudging: even an ID card showing you live in this very street will not get you through unless your apartment building happens to be in this end of the blockaded road. We shrug and turn away, threading our way through the inactive demonstrators to where the police buses parked in the roadway seem weirdly unchanged. There is something so strange about their attitude of waiting. We walk from tail to nose and then nose to tail of the two vehicles slowly, glancing up. Every seat is filled and the seated officers are absolutely motionless, as though underwater. Each has his head bowed and it takes me a moment to work out why this could be. Are they sleeping? Are they praying? Are they each lost in some meditative private world, like soldiers about to go over the top, asking forgiveness, giving thanks? They are on their phones. Each of them curved round the spell of his own little screen. They look monklike and freed from all anxiety.

3 comments on “reggae punk

  1. Cathoel Jorss says:

    It’s so unbelievable here. I don’t know if I can begin to even gesture at the weirdful wildness of it all. The air smells like coal. I mean, like metal. Like ganja. Sharp like candy. Dull like stone.

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