subway sounds

Written by Cathoel Jorss, published 6 years ago

In New York I came into 34th St subway station to hear a bunch of dudes playing a kind of washboard bluegrass. They weren’t excellent but they had vigour. Called themselves the Ebony Hillbillies: cute. O you’re from Australia & you wanna make a record? Love to!

Later I rang them up. “We’re not lettin you put Our Sound on Your Record for less than $800.”

I said, baffled, ‘But… it’s only one song.’

“You know, we getten called the best black banjo band in America.”

Sound engineer said to me, “Why are you crying? That shouldn’t hurt your feelings.” And he is right. But it does. It’s the lack of music, the tower of ego I cannot climb. The hand-to-hand combat whereby everybody has to constantly outdo everybody and every interaction is a kind of business deal. Where you have to self-promote and be the best this, the best that. It exhausts me. It chills my soul with its coldness and shrivels me. I’m not asking people to play for free but I want them to be interested, to love the originality of my project and to love the music enough to play as though they would do it for love.

Once I played one of my songs – a homemade sample off my first website – to a man of some stature when the website was new. This was during my year-long journey to build courage to do this thing. He said, in my opinion, you are going to be one of the greatest artists this country has ever produced. I burst into tears with relief. But later I looked over his website. It was all, the greatest this, the most highly qualified that. It was a minefield of pyramids. I don’t live in that field & it doesn’t seem real to me. That’s not how life works. I live in the jungle where every tree has its flower in the elbow, every bird has its arrow-glistening feather. Where there are a multitude of voices. Somehow they make a kind of complex harmony. Sometimes it is mayhem & a shattering din. More often it is sweet & overwhelming, it seduces me.